| 文化变迁中的土族民歌音乐创作思维特质 |
| |
| 引用本文： | 李华.文化变迁中的土族民歌音乐创作思维特质[J].青海师范大学学报(哲学社会科学版),2014(3):91-94. |
| |
| 作者姓名： | 李华 |
| |
| 作者单位： | 青海师范大学音乐系,青海西宁810008 |
| |
| 基金项目： | 青海省社科规划办项目《文化变迁下的土族民歌创作思维研究》（12050） |
| |
| 摘 要： | 土族是一个独特的民族，其民族的形成与发展是在不断的社会文化变迁中进行的，特别是进入蒙元时期以后，民族文化、民族文化思维与民族音乐创作思维在社会文化变迁的大背景下，较快地实现了与他民族文化的涵化与融合过程，对民族音乐创作思维的个性特征产生了较为深远的影响，成为土族早期民歌继承、发展及民歌种类产生形成的重要阶段。
|
| 关 键 词： | 土族 多元文化 音乐创作思维 |
The Folk Creation Thinking Characteristics of Tu Minority in Cultural Change |
| |
| LI Hua.The Folk Creation Thinking Characteristics of Tu Minority in Cultural Change[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2014(3):91-94. |
| |
| Authors: | LI Hua |
| |
| Institution: | LI Hua (Department of Music ,Qinghai Normal University, X ining 810008 ,China) |
| |
| Abstract: | Tu Minority is an unique ethnic minorities,and the formation and development of Tu is car-ried out in the social and cultural changes in constant. After entering the period of Yuan Dynasty, the na-tional culture, national culture thinking and national music creation thinking were fused with the other eth-nic minorities. This period affects the personality characteristics of Tu Minority＇s folk music,and it is animportant stage of Tu Minority＇s early folk＇s inheritance and development. |
| |
| Keywords: | Tu Minority multi-- culture thinking of music composition |
| 本文献已被 维普 等数据库收录！ |
