| 北宋经书子籍刊刻与“典籍中心主义” |
| |
| 引用本文： | 苏勇强,陈久恩.北宋经书子籍刊刻与“典籍中心主义”[J].出版科学,2012,20(3):99-104. |
| |
| 作者姓名： | 苏勇强 陈久恩 |
| |
| 作者单位： | 温州大学印刷文化研究所,温州,325035 |
| |
| 基金项目： | 浙江省哲学社会科学规划课题“北宋书籍刊刻与文学”(07CGZW016YBX);温州市文化工程课题“宋代温州印刷文化研究”(Wyk 0738);“温州(泽雅)造纸历史与文化消费研究”(Wyk11164)研究成果 |
| |
| 摘 要： | 北宋是中国雕版印刷的勃兴期。这一时期,以国子监为主导,各地官私机构相继刻印了大量经、子类书籍,蔚为大观。经书子籍雕印既是中国以典籍为中心的传统学术惯性,也是科举政治的必然选择。这类印本在社会的广泛传播流行,导致"疑古"精神在一定程度上消解了典籍的神圣,对北宋的学术发展产生潜在的影响,进而形成"六经注我"为特征的宋学。
|
| 关 键 词： | 北宋 经书典籍 刊刻 宋学 |
Publication and Carving of Confucian Classics in the Northern Song Dynasty and Traditional Academic Inertia |
| |
| Authors: | Su Yongqiang Chen Jiuen |
| |
| Institution: | Su Yongqiang Chen Jiuen |
| |
| Abstract: | Northern Song Dynasty is a period of vigorous growth of the Chinese woodblock printing.During this period,the Imperial College officials and the private institutions have been engraved by confucian classics and sub-books,could fill volumes.The woodblock printing of confucian classics and sub-books is well received books for traditional academic inertia,the inevitable choice of Imperial politics.Such copies of widely disseminated popular in society,to some extent,it resulted the questioning of the spirit of the sacred texts,the potential impact on the academic development of the Northern Song Dynasty,thus forming a"Six-classics explain my thinking" for the characteristics of Song Learning. |
| |
| Keywords: | Northern Song Dynasty Confucian classics Publication and carving Song learning |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
