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潮汕当代中国画画风钩沉
引用本文:张玉金.潮汕当代中国画画风钩沉[J].韩山师范学院学报,2012(2):13-18,37.
作者姓名:张玉金
作者单位:韩山师范学院美术系,广东潮州521041
摘    要:地处省尾国角,偏于一隅的潮汕,自有画史记载以来,从事书画之技艺者,可谓甚众。分析其地域画风,大致可以分为三个大方向:一为西画;二为中国画;三为版画。其中西画方向除油画外还有水彩。中国画方向又可以分为:传统文人画、世俗风情画、中西杂糅画和当代实验水墨。具体细分中国画方向发展历程又可分为四个时期:清初传统文人画传入开枝散叶期;新文化运动后潮汕地域性画风转变革新期;建国后传统、西方、民间诸法杂陈雾里看花—新画风渐出维谷时期;新生代新画风推陈出新时期。

关 键 词:潮汕画风  潮汕画派  岭东画风

Contemporary Chinese Painting Style of Chaoshan
ZHANG Yu-jin.Contemporary Chinese Painting Style of Chaoshan[J].Journal of Hanshan Teachers College,2012(2):13-18,37.
Authors:ZHANG Yu-jin
Institution:ZHANG Yu-jin(Department of Arts,Hanshan Normal University,Chaozhou,Guangdong 521000)
Abstract:Located in the angle,off to one side of Guangdong,Chaoshan has its own history of its people engaged in painting and calligraphy art,Analysis of the regional style,can be roughly divided into three directions: first,western painting;second,the Chinese painting;third,prints.The western direction contains both the oil painting and the watercolor.Chinese painting can be divided into: literati painting,the secular style painting,Chinese-Western painting,contemporary experimental ink and wash.Furthermore,Chinese painting development process can be divided into four periods: at the beginning of the Qing Dynasty literati painting afferent branching period;after the New Culture Movement in Chaoshan region style change and innovation period;after the founding of New China,traditional,western,folk,and other mixed methods have a blurred vision-new styles rise out;new style by new generations to bring forth the new through the old.
Keywords:Chaoshan style  Chaoshan painting style  Lingdong style
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