| "永明声律论"百年研究综述 |
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| 引用本文： | 赵静."永明声律论"百年研究综述[J].南阳师范学院学报,2005,4(7):48-54. |
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| 作者姓名： | 赵静 |
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| 作者单位： | 郑州大学,文学院,河南,郑州,450052 |
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| 摘 要： | 永明声律论的出现,实现了从自然声律向人为声律的转变,是我国诗歌发展史上的重大事件。从它出现之时起,历代士对其评价褒贬不一。进入20世纪后,随着西方新思潮及新的学研究方法的涌入．对永明声律论的研究也迈上了一个新的台阶。但是,综观20世纪对永明声律说的研究,在四声究竟肇始于何人、四声与五音之关系、四声八病产生的具体时间以及“八病”的具体内容等问题上,仍存在诸多的分歧,需要对其进行归纳梳理,以期明其源流,究其原因,推动未来的永明声律说研究。
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| 关 键 词： | 永明声律论 四声 五音 八病 |
| 文章编号： | 1671-6132(2005)07-0048-07 |
| 修稿时间： | 2004年9月20日 |
Overview on Research of "The Sound Theory in Yongming Period" in the 20th Century |
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| ZHAO Jing.Overview on Research of "The Sound Theory in Yongming Period" in the 20th Century[J].Journal of Nanyang Teachers College,2005,4(7):48-54. |
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| Authors: | ZHAO Jing |
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| Abstract: | The emergence of "The Sound Theory in Yongming Period", showed the transformation of sound from natural to artificial, which was a big development in Chinese literature history. After it appeared, there are many different opinions about it. But with western new current of thoughts and new literature research methods coming into our country during the 20th century, "The Sound Theory in Yongming Period" also made a big progress. |
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| Keywords: | the sound theory in Yongming period the four tones the five notes the eight avioding |
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