| 弦管“指谱”初论：关于记谱体系问题 |
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| 引用本文： | 郑锦扬.弦管“指谱”初论：关于记谱体系问题[J].福建师范大学学报(哲学社会科学版),2001(4):137-141,149. |
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| 作者姓名： | 郑锦扬 |
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| 作者单位： | 福建师范大学艺术学院音乐系,福建,福州,350007 |
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| 摘 要： | 弦管（又称南曲、南音等）的记谱体系为：指谱，其特点为字谱、琵琶谱、骨谱。其上源至少可以追溯至明代。《明刊闽南戏曲弦管选本三种》的不少符号应具有相应的音乐记录音乐。明清时期弦管记谱体系有着重要的发展，出现了新的形式。
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| 关 键 词： | 弦管 记谱体系 指谱 明代 清代 音乐曲谱 |
| 文章编号： | 1000-5285(2001)03-0137-05 |
On The "Finger Music" of Xianguang:Topics Concerning "Finger Music" Recording Systems |
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| ZHENG Jin,yang.On The "Finger Music" of Xianguang:Topics Concerning "Finger Music" Recording Systems[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2001(4):137-141,149. |
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| Authors: | ZHENG Jin yang |
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| Abstract: | The music recording system of xianguang (also uamed Nangu or Nanyin) has the following componeuts:finger music characterised by word music,Pipa music and bone music,all of which cau be dated back as early as the Ming Dyuasty.The Three Kinds of selected Reaclings of Xianguang Arts in Operas in Southern Fujian Prooince in The Ming Dynasty has a great number of symbols of music recording significance.With the new developmont of the music recording system of Xianguang from the Ming Dynasty to the Qing Dynasty there emerged new forms. |
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| Keywords: | Xianguang Masic Recording System Finger Music the Ming Dynasty |
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