| 人性的呼唤--试析杜丽娘的艺术形象 |
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| 引用本文： | 金文星.人性的呼唤--试析杜丽娘的艺术形象[J].南阳师范学院学报,2004,3(11):64-65. |
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| 作者姓名： | 金文星 |
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| 作者单位： | 河南省经济管理学校,河南,南阳,473034 |
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| 摘 要： | 《牡丹亭》中的杜丽娘是一个敢于大胆追求爱情及幸福婚姻的勇敢女性。杜丽娘身边那些代表社会正统意识和正统势力的人以他们各自的方式给予她最大的压迫，像一张无形的网，紧紧束缚着她，使她窒息而死。因为杜丽娘的爱情追求在当时缺乏现实性，是一种徒然的渴望，是为封建礼教所不允许的，所以注定了一个追求幸福生活女性的悲剧命运。杜丽娘的形象深刻揭示出人性终将突破礼教的束缚，绽放出无限魅力的光辉。
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| 关 键 词： | 《牡丹亭》 戏剧评论 艺术形象 杜丽娘 人性 封建礼教 |
| 文章编号： | 1671-6132(2004)11-0064-02 |
| 修稿时间： | 2004年8月12日 |
Call of the Human Nature--Analysing Du Liniang's Artistic Character |
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| JIN Wen-xing.Call of the Human Nature--Analysing Du Liniang''''s Artistic Character[J].Journal of Nanyang Teachers College,2004,3(11):64-65. |
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| Authors: | JIN Wen-xing |
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| Abstract: | Tang Xianzu who was the most famous writer and dramatist of the Ming Dynasty . In his lamous work The Peony Pavilion, it porcelains a woman Du Liniang who pursues her happy marriage bravely . The people at Du's side offer the heaviest oppression to her by all kind of way, whole orthodox consciousness and social morals represented by these person look like an invisible network , fetteried her tightly , made her suffocate and even died. Therefore the love of Du pursued is divorced form reality, what she pursued is only a kind of in rain aspiration, not people's natural instincts. But it was not permit by the feudal ethical at that time. At same time , it was doomed her tragic fate. Therefor, the lovers of human' s nature will break through the constraint of the Confucian or feudal ethical codes at last , and will burst its boundless glamour . |
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| Keywords: | Du Liniang feudal tie awake humanity |
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