| 从杜琪峰《枪火》解读香港强盗片 |
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| 引用本文： | 宋桂花,李晶.从杜琪峰《枪火》解读香港强盗片[J].临沂师范学院学报,2010,32(1):80-84. |
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| 作者姓名： | 宋桂花 李晶 |
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| 作者单位： | 1. 临沂师范学院,学报编辑部,山东,临沂276005
2. 浙江传媒学院,影视艺术学院,浙江,杭州310018 |
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| 摘 要： | 香港电影在一百多年的发展期间，产生了形形色色的电影类型。然而时至今日，真正影响了全世界的．还是香港强盗片。它之所以能够在世界范围内产生如此强大的影响力，是和它独特的发展文化背景、低调的强盗形象、不同于世界的武侠环境、鲜明的女性形象及以静制动的个人风格分不开的。杜琪峰的《枪火》在此方面堪称经典。
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| 关 键 词： | 香港强盗片 杜琪峰 文化背景 强盗图景 女性形象 以静制动 |
Research into Hong Kong Gangster Films by Johnny To's Cheong Feng |
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| SONG Gui-hua,LI Jing.Research into Hong Kong Gangster Films by Johnny To's Cheong Feng[J].Journal of Linyi Teachers' College,2010,32(1):80-84. |
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| Authors: | SONG Gui-hua LI Jing |
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| Institution: | 1. Editorial Office, Linyi Normal University, Linyi Shandong 276005, China; 2. Zhejiang University of Media and Communications, Hangzhou Zhejiang 310018, China) |
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| Abstract: | Various kinds of film genres were brought up during the development of the Hong Kong film in more than one hundred years. However, only Hong Kong gangster films have a real effect on the world film industry so far. The reason why it could have so widespread an influence is its particular cultural background, low-pitched gangster characteristics, martial arts circumstances, outstanding images of women and the director＇s own style of achieving action from staying still. Johnny To＇s Cheong Feng can be said to be classic in this genre. |
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| Keywords: | Hong Kong gangster films Johnny To cultural background gangster scenes female images achieving action from staying still |
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