| 论黑格尔关于艺术摹仿说的思想 |
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| 引用本文： | 褚春元.论黑格尔关于艺术摹仿说的思想[J].巢湖学院学报,2006,8(1):114-118,125. |
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| 作者姓名： | 褚春元 |
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| 作者单位： | 北京师范大学文学院,北京,100875 |
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| 摘 要： | 在西方文论史上,摹仿说占据着统治地位达两千年之久。是黑格尔继康德之后,从其“美是理念的感性显现”的哲学、美学思想出发,认识到传统摹仿说的弊端,进而反对摹仿说,提出新观点。他的这一思想具有重要的理论意义和现实意义,却没有受到足够的重视。发掘和探讨黑格尔关于艺术摹仿说的思想也就很有必要和意义了。
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| 关 键 词： | 黑格尔 摹仿说 表现说 |
| 文章编号： | 1672-2868（2006）01-0114-05 |
| 收稿时间： | 2005-09-26 |
| 修稿时间： | 2005年9月26日 |
Discussing Hegel's ideas of imigation about art |
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| Chu Chunyuan.Discussing Hegel''''s ideas of imigation about art[J].Chaohu College Journal,2006,8(1):114-118,125. |
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| Authors: | Chu Chunyuan |
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| Abstract: | In the history of western literary theory,the theory of imitation had always been dominant for two thousand years.Hegel recognized the drawbacks about the theory of imitation and opposed it,putting forward new viewpoints from his thought that Beauty is the perceptual appearance of ideas after Kant.Hegel's ideas of imitation had significance in theory and reality and hadn't got enough attention and it is necessary and significant to explore and discuss them. |
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| Keywords: | Hegel the theory of imitation the theory of expression |
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