| 试论“五四”女性新诗的书写特征 |
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| 引用本文： | 欧阳小昱.试论“五四”女性新诗的书写特征[J].华南师范大学学报(社会科学版),2007(4):58-61. |
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| 作者姓名： | 欧阳小昱 |
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| 作者单位： | 中山大学文学院 广东广州510275，广东警官学院公共部广东广州510230 |
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| 摘 要： | 中国第一代女性新诗的作者诞生于"五四"启蒙时期,此时的女性自我一般都深受传统文化熏染,同时也接受新思想文化影响,开始与男性共同成为社会活动的积极参与者。同时,初涉于世的稚嫩、现实的复杂、以及对于白话语言的生疏,对其诗歌创作水平产生了较大限制,使这一时期的女性诗歌书写显示出较明显的过渡性特征。
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| 关 键 词： | “五四”女性新诗 抒情 阴柔 过渡 |
| 文章编号： | 1000-5455（2007）04-0058-04 |
| 修稿时间： | 2007-04-20 |
On the Writing Characteristics of Female Modern Poetry in the May Fourth Movement |
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| by OU YANG Xiao-yu.On the Writing Characteristics of Female Modern Poetry in the May Fourth Movement[J].Journal of South China Normal University(Social Science Edition),2007(4):58-61. |
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| Authors: | by OU YANG Xiao-yu |
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| Institution: | by OU YANG Xiao-yu |
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| Abstract: | The Chinese authors of early female modern poetry were born in the enlightenment period of the May Fourth Movement.They grew up under the influence of Chinese traditional culture,and started to be affected by the new ideology and culture at the same time.They began to cooperate with male counterparts and became active participants of social activities.Because of their immaturity in their early social life,the complexity of the social reality,and their unskillful mastering of the vernacular,these female modern poetry writers were confined to a relatively low level in their poetry creations and their writing skills showed obvious characteristics of the transitional period. |
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| Keywords: | female modern poetry in the May Fourth Movement lyricism soft style transition |
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