| 明代中期骚体文学的新变 |
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| 引用本文： | 任丽华.明代中期骚体文学的新变[J].安阳师范学院学报,2006(1):82-84. |
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| 作者姓名： | 任丽华 |
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| 作者单位： | 河北大学,人文学院,河北,保定,071002 |
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| 摘 要： | 明代中期的骚体文学在恢复屈骚传统、抒写真情实感的复古主张中不断地探索、革新,不断地贴近自然情感,由摹仿楚骚样板逐渐习得楚骚情韵,创作出了相当数量的优秀骚体作品。这些作品显现出了鲜明的新变化。
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| 关 键 词： | 骚体 复古 情韵 |
| 文章编号： | 1671-5330(2006)01-0082-03 |
| 收稿时间： | 2005-10-11 |
| 修稿时间： | 2005年10月11日 |
The New Change of Sao- Modality Literature in Ming's Metaphase |
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| REN Li-hua.The New Change of Sao- Modality Literature in Ming''''s Metaphase[J].Journal of Aayang Teachers College,2006(1):82-84. |
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| Authors: | REN Li-hua |
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| Institution: | Humanities Institute, Hebei University, Baoding 071002, China |
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| Abstract: | Sao-modality literature in Ming's metaphase explored and reformed,pressed closed to sensibility continually,under the opinion of comeback to the tradition of the QuYuan.The Sao-modality literature in this time acquired the sensibility of LiSao gradually,and produced large numbers of excellent works,in which new changes obviously appear. |
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| Keywords: | Sao-modality return to the acients feeling charm new-change |
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