| 沉博绝丽色境浑融--论李商隐诗歌的色彩表现艺术 |
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| 引用本文： | 郝倖仔.沉博绝丽色境浑融--论李商隐诗歌的色彩表现艺术[J].徐州师范大学学报(哲学社会科学版),2005,31(2):36-41. |
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| 作者姓名： | 郝倖仔 |
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| 作者单位： | 徐州师范大学,文学院,江苏,徐州,221116 |
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| 摘 要： | 李商隐诗歌的色彩表现艺术体现师法自然的赋色原则,这与李白、王维、李贺诗歌的设色有所不同。其色彩意象丰富而表意多样。大量使用精神色彩意象,以“艳色写悲情”为代表的相同色彩组合的异用,依境调色以及亮色点睛等设色特征使得色彩与意境相融。其设色还依据题材、抒情对象、生平阶段等不同表现内容营构风格各异的色彩意境。由此形成了李商隐诗歌色彩表现“沉博绝丽、色境浑融”的风格。
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| 关 键 词： | 李商隐 诗歌色彩 师法自然 意象与意境 |
| 文章编号： | 1007-6425(2005)02-0036-06 |
| 修稿时间： | 2004年6月11日 |
TThe Art of Color Expression in Li Shangyin's Poetry |
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| HAO Xing-zi.TThe Art of Color Expression in Li Shangyin''''s Poetry[J].Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition),2005,31(2):36-41. |
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| Authors: | HAO Xing-zi |
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| Abstract: | The art of color expression in Li Shangyin's poetry follows the principle of imitating the nature, which is different from that of Li Bai, Wang Wei and Li He. The image of colors in Li Shangyin's poetry is abundant and diversified. A host of imagery colors and the characteristics of coloring, such as the different use of the same color combination represented by "conveying grief with bright color", mixing colors according to the mood as well as adding an apt bright word to clinch the point, merge the colors and moods. The Coloring composes images of different styles according to the themes, subjects and stages etc. All of these involve Li's style of color expression, "deep and abundant in images, bight in colors; the colors and the moods integrated as a hole". |
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| Keywords: | Li Shang-yin the color of poetry imitate nature image and mood |
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