| 王夫之“情景”论的理论突破与创新 |
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| 引用本文： | 余钢.王夫之“情景”论的理论突破与创新[J].阜阳师范学院学报(社会科学版),2010(1):53-57. |
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| 作者姓名： | 余钢 |
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| 作者单位： | 黔南民族师范学院中文系,贵州,都匀,558000 |
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| 摘 要： | 王夫之的诗学在中国文学批评史上占有重要地位，其诗论的研究对象主要是抒情诗，情景关系在其诗论中占据了中心的位置。王夫之从中国古典诗学只强调“触物以起情”的单向联系的思维模式中走出来，强调了情与景之间互相触发和互相依存关系，从而将“神于诗者，妙合无垠”作为诗歌意境美的最高要求。他对情景关系的论述大大超越了前人的理论，从而将中国古典抒情诗创作规律的美学研究推向了高峰。
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| 关 键 词： | 王夫之 情景论 情景相生 |
A Breakthrough of wang fuzhit's theory on "feelings and scenes" of poetry |
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| YU Gang.A Breakthrough of wang fuzhit's theory on "feelings and scenes" of poetry[J].Journal of Fuyang Teachers College(Social Science Edition),2010(1):53-57. |
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| Authors: | YU Gang |
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| Institution: | Chinese Dept.;Qiannan Teachers College of Nationalities;Duyun 558000;China |
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| Abstract: | Wang Fuzhi's poetry plays an important role in the history of Chinese literary criticism.His main object of study is lyric,in which the relationship of the feelings and scenes is accentuated as the centre.It points out that the aesthetical connotation in Wang Fuzhi's theory on Feelings and Scenes of poetry is the development from feelings engendering by the familiar scenes to feelings and scenes generating mutually.Getting rid of the single-direction thought pattern in which Chinese classical poetry only em... |
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| Keywords: | Wang Fuzhi theory on Feelings and Scenes of poetry mutual generation of feelings and scenes |
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