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工笔人物画教学中的写意性表达
引用本文:索峰,许艳.工笔人物画教学中的写意性表达[J].北京城市学院学报,2021(1).
作者姓名:索峰  许艳
作者单位:阜阳师范大学美术学院,安徽 阜阳 236041;阜阳师范大学美术学院,安徽 阜阳 236041
基金项目:安徽省教育厅一般教研项目“工笔人物画教学中的写意性研究”(2017jyxm0289);美术学院品牌特色专业教研项目“工笔人物画教学中的写意性研究”(2016PPJY07);安徽省教学团队项目“环境设计专业教学团队”(2017jxtd141)。
摘    要:工笔人物画写意性的提出为高等院校工笔画教学提供了新的教学思路,对提升国画专业应用型创新人才的培养具有支撑性。结合创作实践而进行的工笔画技法研究对于中国传统文化的传承具有积极的推动意义。笔者认为在工笔人物画教学中,采取以灵动的线条、主观的色彩以及重视墨色作用等技法措施,达到人物画通透、空灵之意境,才是工笔人物画写意性的正确表达。

关 键 词:工笔人物画  教学改革  写意性表达

Freehand Expression in the Teaching of Meticulous Figure Painting
SUO Feng,XU Yan.Freehand Expression in the Teaching of Meticulous Figure Painting[J].Haidian University Journal,2021(1).
Authors:SUO Feng  XU Yan
Institution:(School of Fine Arts,Fuyang Normal University,Fuyang,Anhui 236041,China)
Abstract:The freehand brushwork of meticulous figure painting provides a new teaching method for the teaching of meticulous painting in colleges and universities,and it is supportive to improve the training of applied innovative talents in Chinese painting major.The study on meticulous figure painting techniques combined with creative practice is of great significance to the inheritance of traditional Chinese culture.The author holds that the correct freehand expression of meticulous figure painting is to adopt such technical measures as flexible lines,subjective colors and the emphasis on the role of ink in the teaching of meticulous figure painting so as to achieve a clear and ethereal artistic conception of figure painting.
Keywords:meticulous figure painting  teaching reform  freehand expression
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