| 对戏曲发声和美声唱法的探讨 |
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| 引用本文： | 陈冉.对戏曲发声和美声唱法的探讨[J].洛阳师范学院学报,2011,30(10):109-112. |
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| 作者姓名： | 陈冉 |
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| 作者单位： | 上海戏剧学院,上海,201102 |
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| 基金项目： | 2008年上海市科研立项项目 |
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| 摘 要： | 戏曲发声与美声唱法在很多方面是相通的。基于戏曲发声的特性,将其与美声唱法进行比较研究,分析科学发声的原理及与京剧发声的关系,了解掌握气息的原理与运用,正确稳定喉头的位置,体腔调节与运用等。在训练戏曲演员时可以借鉴美声训练方法,对旦角学生剧目中的唱段进行发声指导,针对僵化模仿、呼吸偏误、无准备发声、真假声不能自如运用等七种弊病进行指导练习,以期在保护戏曲发声特点本体的同时,将科学发声方法为我所用,促进戏曲艺术的进步与发展。
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| 关 键 词： | 戏曲发声 美声唱法 科学训练方法 呼吸偏误 气滞音结 僵化模仿 |
On Vocal Methods of Chinese Opera and Bel Conto Singing |
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| Institution: | CHENG Ran(Shanghai Theatre Academy,Shanghai 201102,China) |
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| Abstract: | Vocal methods of Chinese opera and bel conto are similar in many aspects.On the basis of the characteristics of Chinese opera vocal methods,which are compared with bel conto,to analyze scientific vocal performance and that of Beijing opera,to study the mechanism and handling,the correct throat positioning,the utilization of body cavities.In the process of training,the actors or actresses can utilize the training methods of bel conto,to train Dan actors＇ vocal performance,to correct seven errors including rigid imitation,breath errors,vocal voice without preparation,failure of handling genuine and a falsetto voices,in order to borrow from scientific vocal methods while preserving the vocal characteristics of traditional opera and contribute to the progress and development of the art of traditional opera. |
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| Keywords: | vocal voice of traditional opera bel conto scientific training method breath error block of air and voice rigid imitation |
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