| 论"晚唐体" |
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| 引用本文： | 薛磊.论"晚唐体"[J].西北师大学报,2001,38(2):18-22. |
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| 作者姓名： | 薛磊 |
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| 作者单位： | 薛磊（北京师范大学,中文系,北京,100875） |
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| 摘 要： | "晚唐体"是沿用已久却没有明确内涵的一个诗学和文学史概念,通过对其历史渊源与界定的梳理和辨析,可以发现,虽然人们在使用这个概念时比较随意,但是"晚唐体"概念本身还是有一定的明确指向,即以姚贾诗风为核心但其范围又略大于姚贾诗派的诗歌风格,其具体内涵则表现为"刻意苦吟"、"冥搜物象"、"工巧精致"、"长于五律"、"清雅有味"五个主要方面.
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| 关 键 词： | 晚唐诗歌 晚唐体 姚贾诗派 诗风 |
| 文章编号： | 1001-9162(2001)02-0018-05 |
| 修稿时间： | 2000年6月8日 |
On "The Late-Tang-Dynasty Poetic Form" |
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| XUE Lei.On "The Late-Tang-Dynasty Poetic Form"[J].Journal of the Northwest Normal University(Social Sciences),2001,38(2):18-22. |
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| Authors: | XUE Lei |
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| Abstract: | The late-Tang-Dynasty poetic form" is a literary concept which has continuously been employed in poetics and literary history, but whose connotation has never been clearly defined. A sorting out and differentiating of its historical sources and subsequent definitions would bring to light the fact that while the use of this concept is made by people more or less at win, the concept "the late-Tang-Dynasty poetic form" itself still is definitely orientational, that is, a poetic form which takes poetry written by YAO He and JIA Dao as its kernel, but its scope goes somewhat beyond the limit of the style and form of YAO-JIA school's poems and songs, its specific connotation consisting in five main respects as follows: "sedulously striving for chanting and choosing the right words or phrases when composing a poem", "searching for images in meditation", "being veined in exquisiteness", "being proficient in five-syllable regulated verses" and "composing poems, elegant and refined and meaningful". |
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| Keywords: | poetry in the late Tang Dynasty late-Tang-Dynasty poetic form YIAO-JIA school of poetry poetic practice |
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