| 曾国藩的书论与书法 |
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| 引用本文： | 李潺.曾国藩的书论与书法[J].湖南大众传媒职业技术学院学报,2002,2(3):102-106. |
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| 作者姓名： | 李潺 |
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| 作者单位： | 湖南大众传媒职业技术学院应用美术系,湖南,长沙,410007 |
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| 摘 要： | 曾国藩是一个对中国历史造成重大影响的人物。写字曾是曾国藩日课的三大内容之一。他在书法上走过了一条由泛到专、由继承古典到创新时尚的曲折探索之路。由乾坤大源,曾国藩深刻而具体入微地推出了他的书法阴阳美学说,对于当时的南北书派之说也有独到的认识。曾国藩十分重视用笔,认为雄奇加淡远,是书法艺术的最佳境界。曾国藩是一个在历史上有争议的人物,他一生苦心追求的书法艺术因而没有受到应有的重视。
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| 关 键 词： | 曾国藩 书论 书法 |
| 文章编号： | 1671-5454(2002)03-0102-05 |
| 修稿时间： | 2002年4月12日 |
Zeng Guofan: Words on Calligraphy and His Own Calligraphy |
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| LI Chan Applied Fine-arts Institute,Hunan Mass Media Vocational Technical College,Changsha,Hunan.Zeng Guofan: Words on Calligraphy and His Own Calligraphy[J].Hunan Mass Media Vocational Technical College(Mass Media),2002,2(3):102-106. |
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| Authors: | LI Chan Applied Fine-arts Institute Hunan Mass Media Vocational Technical College Changsha Hunan |
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| Institution: | LI Chan Applied Fine-arts Institute,Hunan Mass Media Vocational Technical College,Changsha,Hunan,410007 |
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| Abstract: | Zeng Guofan is a person who influenced the Chinese history a lot. Exercising handwriting is one of thethree tasks that he would definitely do in one day. There exists a clear track in his calligraphy development: from general-izing tendency to specializing tendency, and from succeeding the classical techniques to making innovations. Based on theQiankun thought of China, Zeng Guofan formed his theory of Yin and Yang of calligraphy. Zeng Guofan stressed thetechnique of brush using, holding that the most excellent calligraphy works are those with grand and profound spice. |
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| Keywords: | Zeng Guofan words on calligraphy calligraphy |
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