| 沉淀的意味 升华的形式——美的历程之中国油画阶段 |
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| 引用本文： | 王敏.沉淀的意味 升华的形式——美的历程之中国油画阶段[J].绵阳师范学院学报,2009,28(6):87-91. |
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| 作者姓名： | 王敏 |
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| 作者单位： | 山东师范大学美术学院,山东济南,250014 |
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| 摘 要： | 李泽厚在中国美学史上占有举足轻重的地位,他的<美的历程>在中国美学理论界闪闪发光,影响深远.<美的历程>通过对中国历代文艺的梳理展示,向我们理清了各种艺术形式的历史发展脉络,总结了艺术美所形成的根基和特点,形成了"积淀"、"有意味的形式"等美学概念,但它对艺术历史现象的分析止于清代文艺,而对近现代艺术没有做系统内的梳理和阐释.在<美的历程>的理论框架内,以李泽厚的美学理论现对中国近代油画做出理论上的解读无疑具有一定的理论探索意义.
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| 关 键 词： | 积淀 形式 形象 意味 中国油画 |
Accumulated Meanings and Sublimated Forms:Chinese Oil Paintings as a Phase in the Development of Beauty |
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| WANG Min.Accumulated Meanings and Sublimated Forms:Chinese Oil Paintings as a Phase in the Development of Beauty[J].Journal of Mianyang Normal University,2009,28(6):87-91. |
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| Authors: | WANG Min |
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| Institution: | School of Fine Arts;Shandong Normal University;Jinan;Shandong;China 250014 |
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| Abstract: | In Chinese aesthetics history,Li Zehou(1930-) has occupied an important position,for his book "The Development of Beauty" is very influential in the academic circle.In this book,Li Zehou has presented the readers a clear understanding of the development of various forms of arts in China by discussing about the artistic theories in different historical periods.And the author has also summarized the causes and characteristics of the artistic beauty in Chinese literary theories and put forward such aesthetic c... |
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| Keywords: | accumulation forms images meanings Chinese oil paintings |
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