| 珍珠港：美国二战影像的神话学批判——兼论好莱坞战争片的大兵影像崇拜 |
| |
| 引用本文： | 吴冰沁.珍珠港：美国二战影像的神话学批判——兼论好莱坞战争片的大兵影像崇拜[J].山东教育学院学报,2011,26(6):127-134. |
| |
| 作者姓名： | 吴冰沁 |
| |
| 作者单位： | 齐鲁师范学院中文系,山东济南,250013 |
| |
| 摘 要： | 二战催生了好莱坞西部片、歌舞片之后的第三大类型片——战争片。其间，珍珠港无比重要，它将经典的“复仇”叙事推送到国家级别，由此确立了好莱坞战争片的核心价值。战后好莱坞二战影像以“历史叙事”和“个体叙事”的不同方式先后展开，“美国大兵”形象分别承担了“王朝喜剧”和“个体悲剧”的审美功能。由于强大的影像冲击力，“美国大兵”逐渐成为“泛影像”娱乐产业重要的“资源库”之一，获得了影像中的神话地位。
|
| 关 键 词： | 好莱坞 美国大兵 神话 |
Pearl Harbor, the Starting Point of the Worship of American Soldier ----the Mythic Study on Hollywood World War II Films |
| |
| Wu Bingqin.Pearl Harbor, the Starting Point of the Worship of American Soldier ----the Mythic Study on Hollywood World War II Films[J].Journal of Shandong Education Institute,2011,26(6):127-134. |
| |
| Authors: | Wu Bingqin |
| |
| Institution: | Wu Bingqin (Department of Chinese, Qilu Normal University, Jinan 250013, China) |
| |
| Abstract: | The World War II facilitated the appearing of the war film, which follows westerns, musical films and becomes the third main genre films. Classic revenge spots are up lifted to a nation level. And through this process, Hollywood war films built up their core values. When WWII ended, Hollywood war films had growing in two ways, historic narrating and individual narrating. American soldier images take on the aesthetic functions of both nation comedy and individual tragedy. Because of the strong shaking from the image, American soldiers granularly become one of the most important resource among the ＂pan - movie＂ entertainment industry and gain a misty identity. |
| |
| Keywords: | pearl harbor war films American soldier＇s image myth |
| 本文献已被 维普 万方数据 等数据库收录！ |
|
