| 西方油画风景与中国传统山水画之差异 |
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| 引用本文： | 马铁骊.西方油画风景与中国传统山水画之差异[J].临沂师范学院学报,2008,30(4):131-134. |
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| 作者姓名： | 马铁骊 |
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| 作者单位： | 临沂师范学院,美术系,山东,临沂,276005 |
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| 摘 要： | 西方油画风景与中国传统山水画艺术在绘画题材、构图、透视、笔墨、色彩等方面，有着不同的审美情趣和迥异的表现方法中国传统山水画尚“意”，重视物象内在精神和作者主观情感的表现，是一种人格化的自然，带有主观表现主义的特征；西方风景油画重“理”，以客观再现自然风案为目的．可称为自然的人化西方人通过对风景油画的描绘采实现对客观世界物理形式和谐的把握，在理想的视觉形式中寄托主体对客观世界的认识；中国人通过山水画艺术来彰显自身的心理和谐．实现理想人格的塑造和人与自然的心灵沟通西方油画风景与中国传统山水画艺术虽然都是以自然景观作为表现对象，结果却是大相径庭这种差异性之所以产生，究其原因是由于两种绘画体系所接受的文化、哲学思想及审美趣味的不同而形成的。
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| 关 键 词： | 西方油画风景 中国传统山水画 题材构图 透视 |
The Differences between the Western Oil and Chinese Traditional Landscape Painting |
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| MA Tie-li.The Differences between the Western Oil and Chinese Traditional Landscape Painting[J].Journal of Linyi Teachers' College,2008,30(4):131-134. |
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| Authors: | MA Tie-li |
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| Institution: | MA Tie-li (School of Fine Arts, Linyi Normal University, Linyi Shandong 276000, China) |
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| Abstract: | The Western oil landscape painting and the Chinese traditional landscape painting have quite different aesthetic standards and techniques of expressions in subject matter,composition,perspective,colors and painting styles.The Chinese traditional landscape painting with an impersonate nature advocates artistic conception and pays attention to the expression of the inner spirit of the subject and the subjective emotion of a painter.On the contrary,the Western oil landscape painting with a naturalized personality advocates rationality and aims at the external reappearance of natural scenery.The Westerners use the oil painting to describe the natural scenery and grasp the harmoniousness of the material world.The Chinese people use the landscape painting to show the mental harmoniousness and realize the shaping of the perfect personality and the communication between human beings and the nature.Although both taking the natural scenery as the object,the Western oil landscape painting and the Chinese traditional landscape painting are totally different.The reason is that the different cultures,different philosophic thinking and aesthetic tastes effect the formation of the two kinds of landscape paintings. |
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| Keywords: | the Western oil landscape painting the Chinese traditional landscape painting subject matter composition perspective |
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