| 林风眠:调和者的戏曲之梦--论林风眠戏曲题材绘画中东方符号运用的流变 |
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| 引用本文： | 朱敬一,陈潇.林风眠:调和者的戏曲之梦--论林风眠戏曲题材绘画中东方符号运用的流变[J].玉溪师范学院学报,2005,21(2):41-43. |
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| 作者姓名： | 朱敬一 陈潇 |
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| 作者单位： | 1. 江阴职业技术学院,艺术设计系,江苏,江阴,214400
2. 天津科技学院,艺术设计系,天津,300384 |
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| 摘 要： | 艺术大师林风眠,毕生以“调和中西”为艺术导向,在绘画内容和形式上做了不懈探索。从前期的作品中我们看到了西方现代主义因素特别是“立体派”对他的影响,以及他自身通过结合民间美术得到的绘画形式的创新实践,而在后期的戏曲题材的作品中,他的绘画语言中对东方符号的尝试有了新的突破,他将自己具有鲜明中国人特质的东方情愫注入其中,东方符号生动了,而画家的绘画语言也在延续之中产生了流变。
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| 关 键 词： | 东方符号 调和中西 解构 戏曲形式 |
| 文章编号： | 1009-9506(2005)02-0041-03 |
| 修稿时间： | 2005年1月21日 |
Lin Fengmian: The Operatic Dream of a Mediator--On the Change of Oriental Signs in his Paintings of Operatic Thems |
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| ZHU Jing-yi,CHEN Xiao.Lin Fengmian: The Operatic Dream of a Mediator--On the Change of Oriental Signs in his Paintings of Operatic Thems[J].Journal of Yuxi Teachers' College,2005,21(2):41-43. |
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| Authors: | ZHU Jing-yi CHEN Xiao |
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| Institution: | ZHU Jing-yi 1 CHEN Xiao |
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| Abstract: | Lin Fengmian was a great master who made efforts in mediation the west and the east, as shown in his explorations both in the content and form of his paintings. His early works show both the influences from the cubism and the folk art. In his later works of operatic themes, he made some breakthrough in the oriental signs, infusing his vivid Chinese character into the work that exhibits living oriental signs. |
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| Keywords: | oriental signs mediation of the west and the east deconstruction operatic form |
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