| 抗争与消极：奥康纳小说《智血》中的两种戏剧性意象解读 |
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| 引用本文： | 殷雄飞.抗争与消极：奥康纳小说《智血》中的两种戏剧性意象解读[J].常熟理工学院学报,2008,22(7):79-81. |
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| 作者姓名： | 殷雄飞 |
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| 作者单位： | 南京工业职业技术学院,基础部,南京,210046 |
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| 摘 要： | 奥康纳的长篇作品和短篇作品通常被认为分剐采用不同的戏剧性意象来表现作者的宗教精神。在她的长篇小说《智血》中人物与上帝的关系有两种，一种是主人公与上帝的积极抗争关系，一种是其他人物与上帝的消极关系，二者不是截然分开的，而是共存于作者依靠宗教救赎人类灵魂的价值追求之中的。这两种意向的同时存在使现实的怪诞和信仰的终极意义都得以显现。
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| 关 键 词： | 意象 主要人物 次要人物 抗争 消极 |
Resistance and Pessimism: Interpreting Two Dramatic Images in Wise Blood by Flannery O'Connor |
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| YIN Xiong-fei.Resistance and Pessimism: Interpreting Two Dramatic Images in Wise Blood by Flannery O'Connor[J].Journal of Changshu Institute of Technology,2008,22(7):79-81. |
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| Authors: | YIN Xiong-fei |
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| Institution: | YIN Xiong-fei (Basic Courses Department, Nanjing Institute of Industry and Technology, Nanjing 210036, China) |
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| Abstract: | Many people believe that in her novels and short stories that Flannery O＇Connor tends to use two different dramatic images to express her religious spirit. In her novel Wise Blood, there are two relations between characters and the God： one is active resistance between the protagonist and the God; the other is pessimism between other characters and the God. They cannot be separated absolutely but coexist in the author＇s pursuit to save human souls through religious salvation. The co-existence of two images helps display the realistic absurdity and the ultimate significance of beliefs. |
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| Keywords: | images protagonist secondary characters resistance pessimism |
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