| 试论电视剧的改编艺术 |
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| 引用本文： | 任明慧.试论电视剧的改编艺术[J].徐州师范大学学报(哲学社会科学版),2000,26(1):151-154. |
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| 作者姓名： | 任明慧 |
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| 作者单位： | 北京广播学院，北京 100000 |
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| 摘 要： | 电视剧的改编应以观念为最终的目的。艺术形式的转换导致了受者主体的差异，观众的艺术审美心理，决定了电视剧改编的取向，改编者应对之准确把握并积极回应，呼吁观念的主动参与再创作，在满足观众审美需要的同时提升其审美能力。改编的结构应符合观念的审美层次，具有独特的艺术性，并留有空白形成张力。
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| 关 键 词： | 电视剧 改编艺术 结构 观众 审美层次 |
| 文章编号： | 1007-6425(2000)01-0151-04 |
| 修稿时间： | 1999年4月15日 |
On the art of Adaptation of TV Plays |
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| REN Ming,hui.On the art of Adaptation of TV Plays[J].Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition),2000,26(1):151-154. |
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| Authors: | REN Ming hui |
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| Abstract: | The adaptation of TV plays should be audience centered. The change of the form of art gives rise to the difference between the receivers. The aesthetic consciousness of the audience orients the play adaptation, so adapters should grasp it and respond positively, appeal to the aidience for active participation and recreation, and enhance the audience's aesthetic judgement while meeting their aesthetic needs. The adaptation should also accord with audience's aesthetic style, be of distinctive artistry and leave thinking space for audience. |
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| Keywords: | TV play art of adaptation aesthetic consciousness of the audience |
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