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从德彪西钢琴作品的主题结构看其印象主义音乐风格
引用本文:魏晓兰.从德彪西钢琴作品的主题结构看其印象主义音乐风格[J].青海师范大学学报(哲学社会科学版),2007(3):102-106.
作者姓名:魏晓兰
作者单位:西南民族大学,音乐系,四川,成都,610041
摘    要:德彪西的钢琴作品在其创作中占有首要的地位,这些作品也是体现德彪西印象主义音乐风格的重要方面。本文通过对德彪西具有代表性的钢琴作品的深入分析,从和传统曲式结构相比较的角度,探讨了德彪西在主题写作方面出现的规模小型化、展开性、多材料及主题伴奏作用扩大化的现象和特点,从而展现印象主义音乐风格对音乐主题创作的影响。

关 键 词:德彪西  印象主义  主题  结构  小型化  多材料
文章编号:1000-5102(2007)03-0102-05
修稿时间:2006-12-01

Theme Structural Characteristics of Debussy's Piano Works and Theme Study on the Impressionism Music
WEI Xiao-lan.Theme Structural Characteristics of Debussy''''s Piano Works and Theme Study on the Impressionism Music[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2007(3):102-106.
Authors:WEI Xiao-lan
Institution:Department of Music, Southwest University for Nationalities, Chengdu 610041, China
Abstract:Debussy's piano works occupy very important position in his composition,which are also highlighted by representation of Debussy's Impressionism Music style.Through further analysis of Debussy's representative piano works and comparing with the traditional Formal Structure,this article discusses the phenomena and characteristics in Debussy's theme composition,such as theme-miniaturization,extensibility,abundant materials and expansion of theme accompaniment effect so as to have influence on music theme composition for impressionism music style.
Keywords:Debussy  impressionism  theme  structure  miniaturization  abundant materials
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