| 《月亮与六便士》中的高更身影及绘画元素 |
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| 引用本文： | 郭晓林.《月亮与六便士》中的高更身影及绘画元素[J].乐山师范学院学报,2013(6):52-55. |
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| 作者姓名： | 郭晓林 |
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| 作者单位： | 安徽大学文学院,合肥230039 |
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| 摘 要： | 小说《月亮与六便士》以高更为原型,从人物与高更之间的异同,将作品与绘画技巧及特点相结合,阐述文本受到绘画的影响从而具有的新的创作特色。其次,在学科分门别类精细而又庞杂的情境中,文学与其他学科在比较文学跨学科视角下相互影响,彼此借鉴又进一步促进跨学科的交流。
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| 关 键 词： | 《月亮与六便士》 高更 绘画 |
Character Archetype and Painting Skill in The Moon and Sixpence |
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| GUO Xiaolin.Character Archetype and Painting Skill in The Moon and Sixpence[J].Journal of Leshan Teachers College,2013(6):52-55. |
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| Authors: | GUO Xiaolin |
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| Institution: | GUO Xiaolin(School of Literature,Anhui University,Hefei Anhui 230039,China) |
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| Abstract: | Paul Gauguin is the character archetype of The Moon and Sixpence,focusing on the differences and similarities between Paul Gauguin and the character,this paper elaborates the influence of painting skill on literary work.Secondly,in the context of the appearance of more and more refined disciplines,literature and other disciplines to interact each other in the interdisciplinary perspective.In this way,interdisciplinary exchange will be enhanced. |
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| Keywords: | The Moon and Sixpence Paul Gauguin Painting |
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