| 敦煌变文中的女性形象及其审美意义 |
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| 引用本文： | 梁庆华.敦煌变文中的女性形象及其审美意义[J].沧州师专学报,2011(2):4-6. |
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| 作者姓名： | 梁庆华 |
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| 作者单位： | 西北师范大学文史学院; |
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| 摘 要： | 一切历史都是当代史,同一人物由于作者生活的时代背景和审美取向的不同被赋予了不同的形象。现主要分析《敦煌变文集》中以王昭君和秋胡妻为代表的女性形象及其蕴含的审美意义。她们都是容貌俊美却无法抗拒命运的悲剧人物,都无法摆脱社会的牢笼而获得真正的婚姻。她们唯美而又哀伤的独特内心得到了人们的同情,使得她们的故事广为流传。
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| 关 键 词： | 敦煌变文 女性形象 审美意义 |
The Female Figures and the Aesthetic Significance in The Collection of Dunhuang |
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| LIANG Qing-hua.The Female Figures and the Aesthetic Significance in The Collection of Dunhuang[J].Journal of Cangzhou Teachers‘College,2011(2):4-6. |
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| Authors: | LIANG Qing-hua |
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| Institution: | LIANG Qing-hua(Literature and History College,Northwest Normal University,Lanzhou,Gansu 730070,China) |
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| Abstract: | All history is the contemporary history.The same figure,because of his different background of times and different orientation of aesthetics,may take a different look.Take the examples of Wang Zhaojun and Qiu Huqi in The Collection of Dunhuang,who are the leading characters with beautiful appearances but tragedy fates,being trapped in the prison of marriage.They win people's sympathy with their beauty and grief.Thus their stories are widely spread and handed down through the history. |
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| Keywords: | The Collection of Dunhuang female figure aesthetic significance |
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