| 论“兴”范畴在王夫之诗学中的美学意义 |
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| 引用本文： | 胡吉星.论“兴”范畴在王夫之诗学中的美学意义[J].济宁师范专科学校学报,2010,31(1):31-34. |
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| 作者姓名： | 胡吉星 |
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| 作者单位： | 鞍山师范学院中文系,辽宁鞍山114000 |
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| 摘 要： | 明末清初的王夫之曾对中国诗学中的一个古老的范畴“兴”作了重新的诠释。以往的研究者往往从接受的角度来解释船山诗学中的“兴”范畴，其实“兴”在王夫之诗学中具多重美学意蕴。在王夫之的诗论中，“兴”既生成了主体的创作动机与天人合一的审美境界，又生成了诗歌审美意象与形式。
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| 关 键 词： | 兴 审美意象 诗歌形式 |
On the Aesthetic Meaning of Xing Category in Wang Fu-zhi' s Literary Criticism |
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| HU Jixing.On the Aesthetic Meaning of Xing Category in Wang Fu-zhi' s Literary Criticism[J].Journal of Jining Teachers College,2010,31(1):31-34. |
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| Authors: | HU Jixing |
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| Institution: | HU Jixing ( Literature College, Anshan Normal University, anshan 11400, China) |
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| Abstract: | Xing is a very important category in the history of Chinese literature and aesthetics . Wang Fuzhi made a new and original interpretation on Xing category. Some researchers have ever interpreted the Xing category on point of view receptive aesthetic. But the Xing category has a wide and rich aesthetic meaning. In Wang Fuzhi＇ s Literary criticism, Wang Fuzhi think the Xing category formed both the motive of creation of writer and the image of the poetry. |
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| Keywords: | Xing Wang Fuzhi form image |
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