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“文以气为主”向“文以意为主”的转化——兼论中国古代艺术范畴及其体系的本性
引用本文:曾祖荫.“文以气为主”向“文以意为主”的转化——兼论中国古代艺术范畴及其体系的本性[J].华中师范大学学报(人文社会科学版),2001,40(6):55-60.
作者姓名:曾祖荫
作者单位:华中师范大学文学院,
摘    要:本文描述了魏晋南北朝“文以气为主”向唐代“文以意为主”的转化过程。认为“以意为主”在魏晋南北朝就已开始孕育、生长。而“以气为主”向“以意为主”的转化 ,实质上是中国古代艺术范畴体系的元范畴——道 ,在不同历史阶段的不同表现形态。同时 ,论述了唐代“以意为主”产生的历史条件以及不同的历史发展阶段。力图见出艺术范畴及其体系的本性之一斑

关 键 词:艺术范畴  以气为主  以意为主  转化
文章编号:1000-2456(2001)06-0055-06
修稿时间:2001年9月8日

On the Transformation from "Author's Spirit" to "Author's Experience and Understanding"
ZENG Zu,yin.On the Transformation from "Author''s Spirit" to "Author''s Experience and Understanding"[J].Journal of Central China Normal University(Humanities and Social Sciences),2001,40(6):55-60.
Authors:ZENG Zu  yin
Abstract:This thesis describes the transformation course of literature from the Wei jin and Nan Bei Dynasty to Tang Dynasty, which was from taking the author's spirit as the domain to taking the author's experiemce and understanding as the domain. It thinks that taking the author's experience and understanding as the domain of literature was pregnent and developed from the Wei Jin and Nan Bei Dynasty. The transformation was essencially the different states of Dao showed in different periods. Meanwhile it expounds the historical condition for the appeareance of the transformation and its developmental stages in Tang Dynasty.
Keywords:art category  taking the author's spirit as the domain  taking the author's experience and understanding as the domain  transformation
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