| 声乐伴奏之我见 |
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| 引用本文： | 余俊.声乐伴奏之我见[J].玉溪师范学院学报,2007,23(2):43-45. |
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| 作者姓名： | 余俊 |
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| 作者单位： | 玉溪师范学院,聂耳艺术学院,音乐系,云南,玉溪,653100 |
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| 摘 要： | 声乐的钢琴伴奏,分为即兴伴奏和正谱伴奏两大类。即兴伴奏是在短时间内对歌曲进行分析、配置,并即兴演奏,它具有方便快捷的特点。而正谱伴奏,则是由专业作曲家精心创作的正规伴奏乐谱,它能够细腻、全面的诠释和烘托原作品。
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| 关 键 词： | 声乐伴奏 即兴伴奏 正谱伴奏 伴奏技巧 |
| 文章编号： | 1009-9506(2007)02-0043-03 |
| 修稿时间： | 2006年12月10 |
My Personal Opinions About Accompaniment for Vocal Music |
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| YU Jun.My Personal Opinions About Accompaniment for Vocal Music[J].Journal of Yuxi Teachers' College,2007,23(2):43-45. |
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| Authors: | YU Jun |
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| Abstract: | Piano accompaniment for vocal music falls into two types: impromptu and written. The impromptu accompaniment offers the convenience of on-spot availability, but the pianist has limited time to analyze the song for the piano accompaniment. Prepared accompaniment is usually written by the composer in advance so the accompaniment often interprets the song in greater delicacy and can better set off the song. |
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| Keywords: | accompaniment for vocal music basic steps method |
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