| 马尔库塞的“审美形式”论初探 |
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| 引用本文： | 刘志中.马尔库塞的“审美形式”论初探[J].内蒙古大学学报(人文社会科学版),2004,36(2):54-57. |
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| 作者姓名： | 刘志中 |
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| 作者单位： | 内蒙古大学人文学院,内蒙古呼和浩特010021 |
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| 摘 要： | 审美形式论是马尔库塞美学思想的重要组成部分。与正统的马克思主义美学相反,马尔库塞认为,艺术的政治潜能在于艺术本身,即在审美形式本身。本从分析其对“审美形式”一词的特殊规定性入手,探讨马尔库塞对学艺术的倾向性和意识形态性的观点,并试图纠正学界的一些误解。
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| 关 键 词： | 马尔库塞 审美形式 倾向性 意识形态 |
| 文章编号： | 1000-5218(2004)02-0054-04 |
| 修稿时间： | 2003年4月10日 |
A Discussion on Marcuse's Theory of "Aesthetic Form" |
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| LIU Zhi-zhong.A Discussion on Marcuse's Theory of "Aesthetic Form"[J].Journal of Inner Mongolia University(Humanities & Social Sciences),2004,36(2):54-57. |
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| Authors: | LIU Zhi-zhong |
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| Abstract: | Marcuse's theory of the aesthetic form is the important component of his aesthetic views.Unlike the traditional Marxism aesthetics,Marcuse consider that the art's political potential exist in art itself,namely in aesthetic form itself.This paper focuses on "the aesthetic form" and analyses Marcuse's opinion on the tendency and the ideology of literature, also offers author's ideas on Marcuse's aesthetic views misunderstood in the circle of literary critics. |
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| Keywords: | Marcuse aesthetic form tendency ideology |
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