| 新时期蒙古族电影中的民俗意象 |
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| 引用本文： | 郭培筠,张妙珠.新时期蒙古族电影中的民俗意象[J].广播电视大学学报,2011(2):61-65. |
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| 作者姓名： | 郭培筠 张妙珠 |
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| 作者单位： | 1. 内蒙古师范大学,内蒙古呼和浩特,010022
2. 集宁师范高等专科学校,内蒙古集宁,012000 |
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| 基金项目： | 内蒙古自治区高校人文社会科学民族学重点研究基地项目 |
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| 摘 要： | 电影是一门综合性艺术,其复杂的特性促使电影研究必然呈现为多学科、多视角的趋势.从民俗学的角度来研究电影,运用民俗学的理论和研究成果进行电影批评也构成了现注电影的独特视角.而蒙古族电影一向以浓郁的民俗色彩见长,尤其是新时期以来,以塞夫、麦丽丝、宁才、哈斯朝鲁等为代表的蒙古族导演创作的多部优秀影片,以地域特色鲜明的画面造型...
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| 关 键 词： | 新时期 蒙古族电影 民俗意象 |
Folk Imagery of the Mongolian Films In the New Period |
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| GUO Pei-yun,ZHANG Miao-zhu.Folk Imagery of the Mongolian Films In the New Period[J].Journal of TV University(Philosophy & Social Sciences),2011(2):61-65. |
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| Authors: | GUO Pei-yun ZHANG Miao-zhu |
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| Institution: | 1.Inner Mongolia Normal University,Huhhot Inner Mongolia China 010022;2.Ji＇ning Teachers College,Ji＇ning Inner Mongolia China 012000) |
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| Abstract: | Studying film from the angle of folklore and using the theory of folklore and research achievements to evaluate film has become a unique visual angle to see them.Mongolian films are usually featured with rich ethnic color,especial the Mongolian films in the new era,which convey profound ethnic culture connotation through folk pictures imperceptibly,and those folk pictures have become the carriers of ethnic culture and the unique folk imagery.Those folk imageries are crganic constituent of film mold-making,lyrics and narration,and they play an important role in the film. |
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| Keywords: | Mongolian Films Folk Imagery |
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