| 中西文化冲突中的“多余人”——《活动变人形》中倪吾诚形象的解读 |
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| 引用本文： | 赵文辉.中西文化冲突中的“多余人”——《活动变人形》中倪吾诚形象的解读[J].华南师范大学学报(社会科学版),2003,1(1):52-56. |
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| 作者姓名： | 赵文辉 |
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| 作者单位： | 湖南公安高等专科学校公共管理系,湖南,长沙,410138 |
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| 摘 要： | 倪吾诚是一个“多余人”的典型形象。中西化的撞击冲突是使其成为“多余人”的历史原因,倪吾诚在现实生活中的迷惘,挣扎,无力,失败,符合典型的“多余人”特征,倪吾诚与其他“多余人”比较,同中有异,个性鲜明。倪吾诚的是性格的悲剧,是化的悲剧。
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| 关 键 词： | 多余人 中西文化冲突 悲剧 |
| 文章编号： | 1000-5455(2003)01-0052-05 |
| 修稿时间： | 2002年6月24日 |
"Superfluous man" in the Conflict between Chinese and Western Culture-An Interpretation of the Image of NI Wu-cheng |
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| by ZHAO Wen-hui."Superfluous man" in the Conflict between Chinese and Western Culture-An Interpretation of the Image of NI Wu-cheng[J].Journal of South China Normal University(Social Science Edition),2003,1(1):52-56. |
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| Authors: | by ZHAO Wen-hui |
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| Institution: | by ZHAO Wen-hui |
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| Abstract: | This essay puts forward a new conception that NI Wu-cheng is a typical image of "superfluous man". The conflict between Chinese and western culture is the historical cause of his becoming an unwanted person. He falls into the group of "superfluous man" because of his confusion, struggle, weakness, and failure in real life. His tragedy is the tragedy of character and culture. |
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| Keywords: | superfluous man conflict between Chinese and western culture tragedy of culture |
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