| 再论具象绘画 |
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| 引用本文： | 赵龙.再论具象绘画[J].贵阳师范高等专科学校学报,2005(4):81-82,92. |
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| 作者姓名： | 赵龙 |
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| 作者单位： | 贵阳学院美术系,贵州贵阳550005 |
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| 摘 要： | 在东西方绘画发展的漫长历程中，具象绘画都一直扮演着重要的角色。具象绘画可以直接地反映世界的表现语言，再加上历史传统所特有的审美习惯，形成了多样性的风格流派，而且也在不断扩展它自身的表现形式和样式，为人们所欣赏。具象绘画若能既不失传统手段的优势，又能将理性及个性相统一而一展其独特的表现手法，那么，将会有更多的具有时代感的作品得到展现。
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| 关 键 词： | 具象绘画 传统与现代 东方与西方 具象与抽象 |
| 文章编号： | 1002-6894（2005）04-0081-03 |
| 收稿时间： | 09 3 2005 12:00AM |
| 修稿时间： | 2005-09-03 |
On Concrete Painting |
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| ZHAO Long.On Concrete Painting[J].Journal of GuiYang Teacher's College(Social Science),2005(4):81-82,92. |
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| Authors: | ZHAO Long |
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| Institution: | Guiyang CoUege, Guiyang, Guizhou, 550005 |
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| Abstract: | In the long period of printing development in the East and West, concrete printing has played an important role. Concrete printing can directly reflect the world, and is divided into many styles owing to different aesthetic habits of tradition; it continuously expands its expressional forms and patterns for people to enjoy. If concrete printing holds the advantages of both traditional means and its unique expressional skill of rationality and individuality, it will produce more printings imbued with the times. |
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| Keywords: | concrete painting tradition and modem the East and West concrete and abstract |
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