| 屈辱消融在爱与梦中——也谈娜拉 |
| |
| 引用本文： | 马晓翙.屈辱消融在爱与梦中——也谈娜拉[J].陕西师范大学学报(哲学社会科学版),2002,31(5):76-80. |
| |
| 作者姓名： | 马晓翙 |
| |
| 作者单位： | 陕西师范大学 文学院,陕西 西安 710062 |
| |
| 摘 要： | 易卜生《玩偶之家》中的娜拉 ,反对者和歌颂者都以为她是争取妇女自由平等的旗帜。但娜拉一直安于“玩偶”地位 ,也未受女权主义运动的影响 ,只是在她的爱心遭到丈夫自私的回报 ,梦想破灭后 ,才决定离开玩偶之家。历来的研究从社会政治角度拔高娜拉形象的客观意义 ,是不准确的 ;应该从审美与情感角度重新评价这一艺术形象。
|
| 关 键 词： | 易卜生 《玩偶之家》 娜拉 |
| 文章编号： | 1000-5293(2002)05-0076-05 |
| 修稿时间： | 2001年7月6日 |
Humiliation Melting in Love and Dream: A Rediscussion of Nara |
| |
| MA Xiao,hui.Humiliation Melting in Love and Dream: A Rediscussion of Nara[J].Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition),2002,31(5):76-80. |
| |
| Authors: | MA Xiao hui |
| |
| Abstract: | Nara in Ibsen's "The Doll's House" is regarded both by opposers and praisers as the banner of women to struggle for freedom and equality. However, Nara had been satisfied as a "doll" and never affected by feminist movement before she decided to desert the doll's house when she became disillusioned that her love for her husband should have been rewarded with his selfishness. Therefore, this artistic image should be re evaluated in terms of aesthetics and emotion, for it is not accurate to elevate the objective significance of an image as has been done before. |
| |
| Keywords: | Ibsen the Doll's House Nara |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
