| 论李渔的园林美学思想 |
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| 引用本文： | 杜书瀛.论李渔的园林美学思想[J].陕西师范大学学报(哲学社会科学版),2010(2). |
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| 作者姓名： | 杜书瀛 |
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| 作者单位： | 中国社会科学院文学研究所; |
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| 摘 要： | 李渔的园林美学特别讲不拘成见、出自己裁即独创性和艺术个性,特别重视艺术意境和韵味,特别提倡虚实结合、时空浑然一体。而窗子、栏干和墙壁的疏通和隔离,则起到至关重要的作用,造成奇特的美感效果。借景是中国园林艺术中创造艺术空间、扩大艺术空间的一种精深思维方式和绝妙美学手段,李渔对此也作了深刻阐发。《闲情偶寄》是中国古典园林美学的一部标志性著作。中华民族园林美学的许多重要思想,都可以在《闲情偶寄》中找到精彩论述。
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| 关 键 词： | 李渔 园林美学 园林艺术 《闲情偶寄》 |
On Li Yu's Theory of Gardening Aesthetics |
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| DU Shu-ying.On Li Yu's Theory of Gardening Aesthetics[J].Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition),2010(2). |
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| Authors: | DU Shu-ying |
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| Institution: | DU Shu-ying(Institution of Literature,China Academy of Social Sciences,Beijing 100732) |
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| Abstract: | Li Yu's gardening aesthetics highlighted originality and artistic personality,emphasized the mood and charm of artistic representation,and advocated a combination of vacuousness with reality and integrity of space and time.The penetration and separation of windows,railings and walls played an essential role in creating an unique effect of beauty.Moreover,Li expounded the aesthetic device of scenery invoking,a exquisite means of thinking to create and extend artistic space in the art of Chinese gardening,in ... |
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| Keywords: | Li Yu gardening aesthetics art of gardening Notes of Easy Impressions |
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