| 论《水浒传》的大话文化解读——兼论“恶搞”文学经典的存在意义 |
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| 引用本文： | 张同胜.论《水浒传》的大话文化解读——兼论“恶搞”文学经典的存在意义[J].济宁师范专科学校学报,2010(5):28-34. |
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| 作者姓名： | 张同胜 |
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| 作者单位： | 兰州大学文学院,甘肃兰州730020 |
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| 基金项目： | 教育部人文社科一般项目“文学经典的通俗化研究”的阶段性成果（09XJC751002） |
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| 摘 要： | 当前,大众文化尤其是大话文化解构和重构了包括《水浒传》在内的文学经典作品。大话文化对《水浒传》的解构、仿写、戏拟、拼贴、混杂、戏说甚至歪说、恶搞等本质上都是当代文化消费主义在经典诠释过程中的反映和体现。人们从大话文化的视角对文学经典所作的阐释和改编,也是《水浒传》等经典作品在当下的一种存在方式,有其时代的合理性,所以不宜完全否定。当然,恶搞经典也带来了负面作用和不良影响,为了保护和继承传统文化中的精华,应该对文学经典的＂恶搞＂予以理性的指导。
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| 关 键 词： | 大话文化 水浒传 解构 存在方式 |
Water Margin and the Mass Culture |
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| ZHANG Tongsheng.Water Margin and the Mass Culture[J].Journal of Jining Teachers College,2010(5):28-34. |
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| Authors: | ZHANG Tongsheng |
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| Institution: | ZHANG Tongsheng(Chinese Literature College of Lanzhou University,Lanzhou 730020,China) |
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| Abstract: | At present,the mass culture,especially the joking culture,deconstructs and reconstructs the classics including Water Margin.The deconstruction,mimic,parody,collage,mixed text,and even distortion of mass culture are essencially the reflection and embodiment of the contemporory culture on consumerism.The interpretation and rewriting of the classics is the existent beings of the classical literature like Water Margin,therefore it could not be simply named ＂distortation＂and its rationality of the times is denied.But at the same time,its negative influence should not be overlooked.In order to protect and inherit the essence of traditional culture,the misreading of the classics on purpose should be stopped. |
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| Keywords: | mass culture Water Margin deconstruction existence |
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