| 中国古代意境理论的美学阐释 |
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| 引用本文： | 戴岳,王莉娟.中国古代意境理论的美学阐释[J].贵阳金筑大学学报,2002(3). |
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| 作者姓名： | 戴岳 王莉娟 |
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| 作者单位： | 贵阳金筑大学文法系 贵州·贵阳 550005 |
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| 摘 要： | 我国古代的意境说,从历代讨论“开山的纲领”的“诗言志”开始,就始终感性世界向理性世界和情感世界的拓展作为自己生命意境之所在。审美意境的生成历史标示出中国艺术精神中审美意识的自觉。意境的审美本质藏在意境自身之中,而意境的谜底,就在于寻求作为过程的人生的意义和作为永恒的根据。
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| 关 键 词： | 意境 审美 象道 |
Aesthetic Explanation On Ancient Chinese Theory Of Artistic Conception |
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| Dai Yue.Aesthetic Explanation On Ancient Chinese Theory Of Artistic Conception[J].Journal of Jinzhu University of Guiyang,2002(3). |
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| Authors: | Dai Yue |
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| Abstract: | Ancient Chinese theory of artistic conception, beginning with the first poets annals through the past ages, has always been expanding from sensible world to realistic and motional world. Its establishment markedthe consciousness of aesthtic sense in Chinese artistic spirit. The aesthetic nature of artistic conception concealed in conception itself. The key to artistic conception is to seek for the meaning of living and its perpetual basis. |
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| Keywords: | artistic conception aesthetics |
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