| 触物起兴到兴象浑融 |
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| 引用本文： | 杨晓雯.触物起兴到兴象浑融[J].保山学院学报,2012(4):69-74. |
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| 作者姓名： | 杨晓雯 |
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| 作者单位： | 云南大学留学生院 |
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| 摘 要： | 分析了"兴"对哲学语境中天人合一之心物关系向审美活动中的情景合一之情景关系过渡的作用。并将《诗经》中的兴体诗和六朝以后的诗歌中的用"兴"情况作比较,力图通过对"兴"背后所体现出来的古典诗歌审美意识的变迁,及其"兴"与情与景,与境界等美学概念的关系。
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| 关 键 词： | “兴” 天然合一 情景交融 审美意识 |
The Notion of Xing in Poetry |
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| Yang Xiaowen.The Notion of Xing in Poetry[J].Journal of Baoshan Teachers College,2012(4):69-74. |
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| Authors: | Yang Xiaowen |
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| Institution: | Yang Xiaowen(School of Overseas Students,Yunnnan University,Kunming,Yunnan,650091) |
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| Abstract: | The present thesis analyzes the idea of Xing in Chinese philosophy.The author compared Xing style poetry from Shijing with poetry of the Six Dynasties,the purpose of which was to find out the evolution of the aesthetic consciousness of Chinese classic poetry,and the relationships between Xing and other aesthetic notions. |
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| Keywords: | Xing natural unity emotion and illusion aesthetic consciousness |
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