| 略论茅盾书法风格之形成 |
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| 引用本文： | 盛欣夫,盛羽.略论茅盾书法风格之形成[J].宁波大红鹰职业技术学院学报,2006(2). |
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| 作者姓名： | 盛欣夫 盛羽 |
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| 作者单位： | 宁波大红鹰职业技术学院，宁波大学 浙江 宁波 315175，浙江 宁波 315211 |
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| 摘 要： | 茅盾,文学之名掩盖了他的书法之名。社会上有人说他学的是瘦金体,其实那是凭空想象。茅盾是在母亲、祖父、国文老师的指导下学的颜、柳、二王的传统之路,在他的字里行间充满了颜柳风骨。由于茅盾的成长年代处在中国社会的大动荡时期,他又处在大动荡的浪尖上。这动荡中的岁月磨砺了茅盾的性格、锤炼了他的字体,自然形成了坚毅、挺拔、瘦劲的与他性格一致的书法,字如其人,这是自然的也是必然的。
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| 关 键 词： | 茅盾 书法 传统 个性 |
On Formation of the Calligraphy Style of Mao Dun |
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| Sheng Xinfu Sheng Yu.On Formation of the Calligraphy Style of Mao Dun[J].Journal of Ningbo Dahongying Vocational Technical College,2006(2). |
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| Authors: | Sheng Xinfu Sheng Yu |
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| Institution: | Sheng Xinfu~1 Sheng Yu~2 |
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| Abstract: | Mao Dun's calligraphy is not so well-known as his fame in literature.It is actually groundless to think that Mao Dun follows a style of slim bronze objects.Under the guidence of his mother,his grandfather and his Chinese tutor,Mao Dun follows a traditional way of the Yan style and the Liu style,and his calligraphy fully shows the Yan style and the Liu style.Due to the unstable China society of his age,it cultivates and steels his characteristics,and refines upon his handwriting to form his own style of calligraphy.It is natural but inevitable. |
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| Keywords: | Mao Dun calligraphy tradition characteristic |
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