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论中国武术之“艺术门径”
引用本文:张平安,刘同为.论中国武术之“艺术门径”[J].搏击·武术科学,2010,7(4):3-5.
作者姓名:张平安  刘同为
作者单位:[1]上海体育学院武术学院,上海200438 [2]上海体育学院中国武术研究中心,上海200438
基金项目:上海市重点学科建设项目
摘    要:文章运用艺术辩证法"辨伪证真"的理念,围绕武术教练员、运动员、裁判员、观众四个层面,对技术表达与接收中所存在的"艺术门径"问题进行了剖析,提出了"艺术技术化非经验化",并强调了艺术教育的重要性。同时,运用艺术辩证法相关原理,在对线条、形体、动作、声音、节奏、色彩、光等感性材料研究的基础上,提出了中国武术中"圆、无、反、转、省"的"艺术门径",为提高和丰富武术动作的艺术表现力与美学价值,增强武术动作的整体感和内涵力等方面提供理论依据。

关 键 词:武术  艺术  发展

On the Art Ways of Chinese Wushu
Zhang Pingan,Liu Tongwei.On the Art Ways of Chinese Wushu[J].BOJI(WUSHUKEXUE),2010,7(4):3-5.
Authors:Zhang Pingan  Liu Tongwei
Institution:Zhang Pingan Liu Tongwei (1.Wushu Dept. of Shanghai Sports University, Shanghai 200438; 2.Chinese Wushu Institute, Shanghai Sports University, Shanghai 200438;)
Abstract:From the view of the art study way of finding false views to prove the ture opinions, around the four kinds of people: Wushu coaches, Wushu anthletes; referees and audience, the pape analyzes the art ways existing in Wushu techinique performance and intaking process, emphasizes the importance of art education. Meanwhile, with the art study principles, the paper studies the lines, body, movements, sound, rhythm, color and light, these tangilbe materials, to find the art ways in Wushu, such as circle, turning, directing and other art ways. The aim of the study is to improve and enrich the art expressing ability and aethetic value of Wushu movements, and increase the unity and connotation of Wushu movements.
Keywords:Wushu art development
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