| 从范宽《溪山行旅图》看中国画的意象构成 |
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| 引用本文： | 牛勇.从范宽《溪山行旅图》看中国画的意象构成[J].科学．经济．社会,2011,29(2):190-192. |
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| 作者姓名： | 牛勇 |
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| 作者单位： | 兰州商学院,艺术学院,甘肃,兰州,730020 |
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| 摘 要： | 意象是中国画造型的基本特征,情景交融、物我合一是审美意象的基本结构。抽象的笔墨语言符号是中国画意象构成外化的主要手段。文章以范宽《溪山行旅图》为例,重点从以点造意、以线造型、以面造势三方面探讨中国画的意象构成及对当代中国画发展的启示意义。
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| 关 键 词： | 《溪山行旅图》 中国画 意象构成 |
The Image Construction of Chinese Painting:Take Fan Kuan's Traveling amid Mountains and Streams as an Example |
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| NIU Yong.The Image Construction of Chinese Painting:Take Fan Kuan's Traveling amid Mountains and Streams as an Example[J].Science Economy Society,2011,29(2):190-192. |
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| Authors: | NIU Yong |
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| Institution: | NIU Yong(Art Institute,Lanzhou Commercial College,Lanzhou 730020,China) |
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| Abstract: | Images are the primary features of the Chinese painting,the harmonious fusion of feelings and settings is the basic structure of Chinese painting aesthetic images,and Abstract codes made by water and ink are the means by which images of Chinese painting are externalized.This essay,taking Fan Kuan＇s Traveling amid Mountains and Streams as an example,explores the three aspects of Chinese painting＇s image producing——creating meaning with points,building structure with lines and producing force with planes——and reveals the revelation significance of Chinese painting images construction in the Chinese cotemporary painting. |
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| Keywords: | Traveling amid Mountains and Streams Chinese painting structure of images |
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