| 论中国画线条 |
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| 引用本文： | 蒋梅.论中国画线条[J].商丘师范学院学报,2007,23(8):122-123. |
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| 作者姓名： | 蒋梅 |
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| 作者单位： | 商丘职业技术学院,艺术系,河南,商丘,476100 |
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| 摘 要： | 中国画是以线造型为主的艺术,线条逐渐发展成为独立的艺术形式。在中国画中,不论何种线条,都不仅用以表现对象的形、质、空间,还充盈着画家的主观意蕴和情思,并以章法、气势、虚实最终达成＂气韵生动＂这一绘画的最高境界。
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| 关 键 词： | 中国画 线条 气韵生动 |
| 文章编号： | 1672-3600（2007）08-0122-02 |
| 收稿时间： | 2007-03-16 |
| 修稿时间： | 2007-03-16 |
The view of Chinese Painting Lines |
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| JIANG-Mei.The view of Chinese Painting Lines[J].Journal of Shangqiu Teachers College,2007,23(8):122-123. |
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| Authors: | JIANG-Mei |
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| Institution: | Art Department, Shangqiu Vocational Technical College, Shangqiu, Henan Province ,476100 |
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| Abstract: | Chinese Painting is the art mainly uses lines to construct.In Chinese Painting,lines are not only used for describing shape,texture,and space of the painting target,but also for delivering the artist's feelings and emotions. Moreover,the coordination,expression,existing and nihilist of the lines lead the painting to the highest scene of vivaciousness and vitality.As time passes,the lines will be given new intension. |
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| Keywords: | Chinese Painting lines vivaciousness and vitality |
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