| 魏晋南北朝人物画创作特点及原因探析 |
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| 引用本文： | 李谋超,何莲娣.魏晋南北朝人物画创作特点及原因探析[J].海南广播电视大学学报,2013(3):37-40. |
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| 作者姓名： | 李谋超 何莲娣 |
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| 作者单位： | 广东省轻工业高级技工学校工业设计系,广东广州,510315 |
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| 摘 要： | 以顾恺之、陆探微、张僧繇、曹仲达为代表的人物画画家在艺术表现形式上融通中外推陈出新,在思想旨趣上别开生面卓尔不群,造就了魏晋南北朝时期中国人物画的鼎盛。这些成就的取得与当时险恶的政治环境、复杂的社会思潮、佛教文化的传入、多种艺术门类之间的交融互通等原因有关。分析魏晋南北朝人物画特点和意义,对于当下中国画创作具有强烈现实指向。
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| 关 键 词： | 魏晋南北朝 人物画 特点 |
Analytical Study on the Characteristics and Reasons of Figure Painting in Southern and Northern Dynasty |
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| LI Mou-chao
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HE Lian-di.Analytical Study on the Characteristics and Reasons of Figure Painting in Southern and Northern Dynasty[J].Journal of Hainan Radio & TV University,2013(3):37-40. |
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| Authors: | LI Mou-chao HE Lian-di |
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| Institution: | LI Mou - chao, HE Lian - di ( Departmeni of Industrial Design, Guangdong Technician Institute of Light Industry, Guangzhou 510315, China } |
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| Abstract: | Chinese figure painting reached its stage during the South and North Dynasty. Outstanding fig- ure painters, such as Gu kaizhi, Liu Tanwei, Zhang Sengyao, Cao Zhongda, made remarkable achievements in the field of master and use of line and the relation of form and spirit. Analysis of the characteristics of figure painting in the South and North Dynasty has great significance in promoting contemporary art of Chinese figure painting. |
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| Keywords: | The South and North Dynasty Figure painting General features |
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