| 新时期"电影民族化"讨论综述 |
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| 引用本文： | 王丽娟.新时期"电影民族化"讨论综述[J].南京师范大学文学院学报,2003(4):74-78. |
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| 作者姓名： | 王丽娟 |
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| 作者单位： | 南京师范大学,文学院,江苏,南京,210029 |
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| 摘 要： | 作为新时期中国电影发展进程中的一次重要理论思潮，电影民族化讨论聚焦于要否提倡电影民族化、中西美学传统之异同以及电影民族化内涵等问题，展开了深入的思考和持久的论争。讨论在本质上体现为中西美学的对话，并在对话的基础上实现了对历史传统与外来艺术的超越，以探寻现代中国电影的独特发展道路。
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| 关 键 词： | 二十世纪 电影民族化 中国电影 美学传统 |
| 文章编号： | 1008-9853(2003)04-074-05 |
| 修稿时间： | 2003年9月26日 |
A Summery of the Discussions on "Nationalization of Movies" in the New Era |
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| Wang Lijuan.A Summery of the Discussions on "Nationalization of Movies" in the New Era[J].Journal of Chinese Language and Culture School Nanjing Normal University,2003(4):74-78. |
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| Authors: | Wang Lijuan |
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| Abstract: | Discussions on nationalization of movies, an important theoretical trend in the course of development of Chinese movies in the new era, focus on whether such issues as nationalization of movies should be advocated, similarities and differences between East and West aesthetic traditions, and implications of nationalization of movies. Profound meditations and protracted debates have been conducted. These discussions are in essence embodied in dialogues between East and West aesthetics, based on which the transcendence over both historical tradition and exotic art are achieved in exploring for a unique way of development of contemporary Chinese movies. |
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| Keywords: | the new era nationalization nationalization of movies |
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