| 20世纪40年代与"纯诗"的综合化 |
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| 引用本文： | 张洁宇.20世纪40年代与"纯诗"的综合化[J].南京师范大学文学院学报,2003,2(4):93-97. |
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| 作者姓名： | 张洁宇 |
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| 作者单位： | 中国人民大学,中文系,北京,100872 |
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| 摘 要： | “纯诗”的综合发展是中国新诗发展吏的一条主线。这种传统从20世纪20年代“纯诗”首倡之时即已建立，到40年代表现得更加自觉和明显。以袁可嘉、唐湜为代表的“中国新诗”派明确强调建立平衡的诗歌美学特征，在诗歌主题内容方面采取宽容综合的态度，试图建立纯诗的“高度综合的性质”和“现实、象征、玄学的新的综合传统”，走出了一条更具民族性和现实性的“纯诗化”道路。
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| 关 键 词： | 20世纪40年代 纯诗 纯诗化 现实 综合 诗歌美学 |
| 文章编号： | 1008-9853(2003)04-093-05 |
| 修稿时间： | 2003年8月12日 |
Synthesization of "Pure Poetry" and the 1940s |
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| Zhang Jieyu.Synthesization of "Pure Poetry" and the 1940s[J].Journal of Chinese Language and Culture School Nanjing Normal University,2003,2(4):93-97. |
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| Authors: | Zhang Jieyu |
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| Abstract: | The comprehensive development of "pure poetry" is a main route in the history of Chinese new poetry. Such a tradition was already established in the 1920s when "pure poetry" was first advocated, and by the 1940s it became all the more self - conscious and remarkable. " China' s New Poetry" School represented by Yuan Kejia and Tang Shi definitely emphasizes the establishment of balanced aesthetic features of poetry, takes a tolerant and synthesizing attitude in terms of themes and contents, with an intention of setting up the " highly synthesizing character" of pure poetry and " a new synthesizing tradition of realism, symbolism and metaphysics," so that a more national and realistic way of "purifying poetry" is found. |
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| Keywords: | pure poetry purification of poetry realism synthesize |
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