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论西尔维娅·普拉斯的母性诗歌
引用本文:胡梅红.论西尔维娅·普拉斯的母性诗歌[J].常熟理工学院学报,2014(5):66-71.
作者姓名:胡梅红
作者单位:常熟理工学院 外国语学院,江苏 常熟,215500
基金项目:江苏省教育厅2013年度高校哲学社会基金资助项目“文学符号学理论观照下的西尔维娅·普拉斯‘衍生之诗学’研究”
摘    要:美国当代女性诗人西尔维娅·普拉斯的"母性诗歌系列"通过歌颂母性,开创了20世纪中后期美国女性诗人的重要流派,即"母亲诗人"。普拉斯的"母性诗歌系列"主要由两部分组成:第一部分,以她自己的儿女为创作对象和创作灵感来源的诗歌;第二部分,注重思考和探索母性体验与创作力之间关系的诗歌。从女性主义视角解读"母性诗歌",旨在揭示诗人创作"母性诗歌"的重要意义,即诗人通过书写母性来确定自己的诗人身份、实现自我的转变,试图从自身的"三重困境"中走出。

关 键 词:普拉斯  母性诗歌  创作力

On Sylvia Plath’s Motherhood Poems
HU Mei-hong.On Sylvia Plath’s Motherhood Poems[J].Journal of Changshu Institute of Technology,2014(5):66-71.
Authors:HU Mei-hong
Institution:HU Mei-hong (School of Foreign Languages, Changshu Institute of Technology, Changshu 215500, China)
Abstract:Sylvia Plath, the contemporary American woman poet whose “motherhood poem sequence” virtually initi- ates through celebrating maternity what has become a significant genre for the mid- and late-century American women poets, “mother poets”. As a mother poet, Plath' s “motherhood poems” consist of two parts. Firstly, Plath wrote poems in which she used her children as her objects and inspiration. Secondly, she wrote poems to explore the correlation between maternity and creativity. This paper aims to reveal the significant implications of “mother- hood poems” through a feminist reading and concludes that the poet, through writing motherhood poems, attempts to establish her own identity as a poet, to realize the transformation of the self and to step out of the so-called “tri- ple-bind situation”.
Keywords:Plath  motherhood poems  creativity
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