| 略论《项链》情节结构的划分 |
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| 引用本文： | 刘萍.略论《项链》情节结构的划分[J].铜仁学院学报,2002(Z1):34-35. |
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| 作者姓名： | 刘萍 |
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| 作者单位： | 铜仁地区民族中学,贵州,铜仁,554300 |
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| 摘 要： | 对莫泊桑短篇小说《项链》情节高潮部分的划分,应把小说女主人公路瓦栽夫人性格的极度虚荣和丢失项链的尖锐矛盾冲突联系起来进行分析.对小说结尾部分的争议,应该从文学欣赏和艺术的"再创造"角度分析,应用"实"的情节高潮,而不应用"虚"的小说情节高潮.读者想象的"虚"的高潮,不应纳入小说情节结构划分.
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| 关 键 词： | 《项链》 情节结构 情节划分 艺术再创造 |
| 文章编号： | 52-5024/G4(2002)增刊-0034-(02) |
| 修稿时间： | 2001年10月25 |
The Division of Plot Construction of Necklace |
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| Liu Ping.The Division of Plot Construction of Necklace[J].Journal of Tongren University,2002(Z1):34-35. |
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| Authors: | Liu Ping |
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| Abstract: | The division of plot climax part of the short story Necklace by Guy de Maupassant should be based on analysis of a connection between the extreme vanity, which is characteristic of Mrs Mathilde Loisel, the heroine and the strong conflict after having lost the necklace. And the dispute of the ending pa,.t should be focused on the appreciation of literature and "recreation" of the art. The plot climax should be "fact" instead of "empty", and the imaginary climax "empty" should not be used to divide such construction. |
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| Keywords: | Necklace plot construction plot division recreation of art |
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