| 李颀音乐诗论析 |
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| 引用本文： | 罗琴.李颀音乐诗论析[J].涪陵师专学报,2007(3):57-62. |
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| 作者姓名： | 罗琴 |
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| 作者单位： | [1]重庆师范大学文学与新闻学院,重庆400047 |
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| 摘 要： | 李颀的音乐诗是空前启后的优秀之作。他运用比喻、映衬、用典、对偶、转韵等多种表现手法，着力描绘音乐的声音和意境，把听觉形象转化为视觉形象，在中国诗歌史上第一个创作出有很高艺术成就的音乐诗，并且启发和影响了韩愈、白居易、李贺等人的音乐诗创作。
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| 关 键 词： | 李颀 音乐诗 意境 表现手法 听觉形象 视觉形象 |
An Analysis of Li Qi＇ s Musical Poems |
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| LUO Qin.An Analysis of Li Qi＇ s Musical Poems[J].Journal of Fuling Teachers College,2007(3):57-62. |
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| Authors: | LUO Qin |
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| Institution: | LUO Qin (School of Literature and Journalism, Chongqing Normal University, Chongqing 400047, China) |
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| Abstract: | Li Qi＇ s music poems are unique in history. He made use of various kinds of techniques in his creation, such as comparison, contrast, allelomorph etc. He focused on depicting the sound and artistic conception, translating audio image into visual image. Li Qi is the first person who created musical poems with great artistic achievement, which exerted influences on the musical poem creation of such poets as Han Yu, Bai Juyi, Li He. |
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| Keywords: | Li Qi musical poems artistic conception expressing technique audio image visual image |
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