| 南唐词人的创作及其在词史演进中的地位 |
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| 引用本文： | 余恕诚.南唐词人的创作及其在词史演进中的地位[J].安徽师范大学学报(人文社会科学版),2000,28(3):324-329. |
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| 作者姓名： | 余恕诚 |
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| 作者单位： | 安徽师范大学文学院安徽芜湖 241000 |
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| 摘 要： | 南唐冯延巳、李Ｊｉｎｇ、李煜三人的记号均有很高的艺术成就。冯延巳李Ｊｉｎｇ的创作超越了“花间”词洗淡了脂香粉腻,注入了身世之感。李煜词则进一步直接抒写情怀,突现主体精神,开始具有雄奇之美和博大气象。南唐词本身可算一个完整的发展过程。后来从晏殊,欧阳修到苏轼的北宋词,也经历了一场类似从“伶工之词”到“士大夫之词”的变化,前者像是后者的一次初步预演,两次发展,是呈螺旋形向前推进的。
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| 关 键 词： | 南唐词 冯延巳 李璟 李煜 词史演进 |
| 文章编号： | 1001-2435(2000)03-0324-06 |
| 修稿时间： | 2000年5月16日 |
The artistic creation of the poets of the south Tang Dynasty Ci and its position in the development of Chinese Ci |
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| YU Shu - cheng.The artistic creation of the poets of the south Tang Dynasty Ci and its position in the development of Chinese Ci[J].Journal of Anhui Normal University(Humanities and Social Sciences),2000,28(3):324-329. |
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| Authors: | YU Shu - cheng |
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| Abstract: | Feng Ting - si. Li Jing, and Li Yu all displayed their high artistic value in the composition of Ci. Feng Ting - si and Li Jing surpassed the Huajian Ci (a genre of Petty romantic Ci), reducing the flavors of over -ro- manticists and refilling the sense of commission. Li Yu's ci went further in directly expressing ambition and subjectivity, displaying grandeur and magnificence. The Ci of the south Tang Dynasty is a full development in itself. Later, the north Song Dynasty also witnessed a change from "petty romance" to "scholarly poetry" starting from Yan Shu, to Ouyang Xiu and Su Shi. The previous change seemed to be a prelude to the later development. They followed a spiral progress. |
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| Keywords: | Ci of the south Tang Dynasty FENG Ting - si Li Jing development of Ci |
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