| 精确并非真实——浅析马蒂斯的绘画美学思想 |
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| 引用本文： | 杨恩达.精确并非真实——浅析马蒂斯的绘画美学思想[J].安徽师范大学学报(人文社会科学版),2003,31(2):241-244. |
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| 作者姓名： | 杨恩达 |
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| 作者单位： | 安徽师范大学,美术学院,安徽,芜湖,241000 |
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| 摘 要： | “精确并非真实”是马蒂斯对造型艺术的独特见解 ,也是其美学思想的精髓所在。它要求艺术家自发地或无意识地根据自己对客体的独特感受 ,选用适合自己表达的方式来表现心中的对象 ,在轻松、自然、随意中 ,追求更高秩序的美和心灵的表现 ,把对象本质上的真实当作艺术的灵魂来揭示。
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| 关 键 词： | 马蒂斯 精确并非真实 美学思想 秩序 心灵表现 |
| 文章编号： | 1001-2435(2003)02-0241-04 |
| 修稿时间： | 2002年11月18日 |
Precision is not reality |
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| YANG,En-da.Precision is not reality[J].Journal of Anhui Normal University(Humanities and Social Sciences),2003,31(2):241-244. |
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| Authors: | YANG En-da |
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| Abstract: | That"Precision is not reality" is the unique opinion of Henry Marttisse on plastic art and the essence of his aesthetic thoughts. And his idea is that an artist should choose a suitable way for himself to express his objects based on his unique feelings.In an easy, natural and free way, an artist should pursue the beauty of better order and expression of his soul and reveal the reality of objects as the soul of art. |
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| Keywords: | Henry Marttisse Precision is not reality aesthetic thoughts order expression of soul |
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