| 《周易》和谐论与艺术 |
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| 作者单位： | 山西大学音乐学院 |
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| 摘 要： | 和谐思维对中国的艺术一直有着深刻影响,它直接制约和支配着民族传统的审美情趣。音乐作为艺术的一种重要表现形式,其表现方式种类繁多却有着共同的本质,那就是它是某种音高对比关系的和谐表达。《周易》作为中华文明的主要源头,蕴涵着极其丰富而深刻的和谐思想,对中华文明演进的影响深远。《周易》的和谐思想贯穿于诸多相关学科,其阴阳和谐思维对中国文化、政治和社会生活的影响广泛而深刻。因而,与其说音乐艺术契合《周易》和谐论思想,不如说音乐艺术的产生和发展直接受到《周易》和谐论思想的影响。认识这一点有助于我们通过对音乐艺术本质的把握去实现音乐艺术的创新和发展。
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| 关 键 词： | 《周易》 和谐思想 音乐艺术 |
On Harmony Advocated by Zhouyi and Art |
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| Authors: | ZHANG Rui-rong |
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| Abstract: | Harmonious thinking has long had a deep effect on Chinese art, directly restricting and ruling the traditional aesthetic sentiment. As an important form of art, music has many kinds of expressions with the same nature, i.e. the harmonious expression of the comparison of a certain pitch. Zhouyi, as the major source of Chinese civilization, holds in store rich and deep harmonious ideas, exerting a profound influence on the evolution of Chinese civilization. Besides, its harmonious ideas also penetrate other related subjects, and Chinese culture, politics and social life all have been greatly affected by its ideas of harmonious yin and yang. Therefore, we can safely say that the development of music was more directly influenced by the harmonious ideas of Zhouyi than coincidental with them. Being aware of this is conducive to realizing the innovation and development of music by understanding the nature of music. |
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| Keywords: | Zhouyi harmonious ideas art of music |
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